This Yellow Madness: "Marks and Scars and Flags"

Tuesday, August 3, 2010

Marks and scars and flags . . .

John Lee Hooker and John Henry on the box . . . [same old blues . . .][again]

Dusted off an old Lovecraftian fragment I had sitting 'round and finished it . . . Feels done now . . . Even "submitted" the thing . . .

Felt surrealistic for 2 minutes, spilled a new poem, something about clouds and the Owl Moon . . . That led to a Carcosan state of mind. Out came a new KIY text, "Marks and Scars and Flags" [4 pager/1,300 words]. Everytime I think I'm done w/ RWC something in a song flares and I'm on that long dark road to Carcosa again . . .

So . . . Back to my J-Horror research for "Movietime . . . with popcorn . . . and . . ." . . . And to 2 new projects, one short "Mythos" work, and my next novel.

On those ancient roads John Lee's moanin' low . . . I'm followin' . . .

Thomas Ligotti says --

“Let us posit that Bukowski is the sun. Or Brautigan, Burroughs and the Beats—a solar Coney Island of the Mind where Timothy Leary’s dead and dead Cthulhu waits and sings the live long daydream believer. Then Joe Pulver’s Portraits of Ruin would be the burst of planets, Big Bang-Bang, Marquee Moons hanging on for what they got, scream of consciousness—in Outer Space no one can hear it . . . except Coffin Joe, Monster Mash Potato that big ol’ Portraits of Ruin—Mars needs it, you need it, so just open the lid and shake your fist—then say: “They kill horses, horses, horses, horses.” Thank you. Come again?”

SIMON STRANTZAS on PoR

"Fearless. Daring. Poetic prose for the unhinged. Each tale in "Portraits of Ruin" packs the sort of mental wallop that leaves the reader reeling. From the scorched deserts to the highest foreign towers, across plains of reality and beneath burning suns, this is no volume for the weak, for the conventional. It is a wake-up call from one of the genre's most visionary masters. A book for those who see differently, for those not afraid to know the truth no matter how terrible the cost. I envy anyone about to experience Pulver's horrors for the first time." - Simon Strantzas, author of Nightingale Songs

Robert M. Price says

"Pulver's genius in his ability to shape-shift stylistically
between Raymond Chandler and Thomas Ligotti--without your even noticing! Like the gospel demon, his name ought to be Legion, since he assumes a new voice and persona as every particular chapter or sequence requires. In the new book,
Pulver's polyphonic gifts mutate to a new and even more powerful pitch. There is nothing like it! It sounds, indeed reads, like a living contradiction in terms! The result is a deep dark forest of wonders, containing both monsters and molesters, both angels and devils." -- Robert M. Price